Review: Sretensky Monastery Choir

600 years of choral tradition transports us to Russia with beauty, passion and restraint

music review (adelaide) | Read in About 2 minutes
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Sretensky Monastery Choir
Published 05 Mar 2019

Exhausted, sombre faces fill Adelaide Town Hall, frantically fanning themselves with tonight’s programme – a two-part performance of Russian Orthodox Divine Liturgical hymns and folk songs by Sretensky Monastery Choir.

Choir Regent and conductor, Nikon Stepanovich Zhila, bows respectfully and takes quiet command of his choristers. The music immediately transports us to the Motherland: picture monks walking through ancient monastery courtyards and forest birds flying from minarets.

“Orthodox worship attempts to engage all the bodily senses, not just hearing, but to feel spiritual grandeur and the presence of heaven on earth”, says Father Peter Hill of Saint Patrick Russian Orthodox Church. To hear First Tenor, Ivan Leonov’s operatic falsetto in ‘Council of the Eternal’, one could believe they are on Bethlehem’s hill the night of Christ’s birth.

The choir draws on a 600-year-old tradition of acapella singing that has survived war, revolution and postmodernity. A passionate, joyful energy is felt in ‘Kalinka’ and a haunting restraint in ‘Blaze Blaze My Star’. Yet it is the bassi profundi who conjure a sound so deep, one questions whether they are listening to a choir, or a living organism.

At the end of each movement, the audience sigh in unison, before an enrapturing applause.