The fact that Pippa Evans believes there are no guilty pleasures would seem to indicate she is unfamiliar with some of the more outré entertainments at the Fringe... But I digress.
Given that many of the standups who invade Edinburgh each year regard their easily-mocked audiences the same way a shark might view a school of obese tuna, the fact that Evans tells us we have nothing to be ashamed of is refreshing. She mines her own unfashionable proclivities for the purposes of self-deprecation, but never apologises for them, and believes we shouldn't either, no matter what our guilty pleasures may be. This lends a nice touch of emotional honesty to what otherwise might be a fairly predictable show.
As a practitioner of musical comedy, Evans is something of a rarity: she can actually sing. Unfortunately, this is often wasted on some middling material (two by-the-numbers parodies of country music and hipsters, in particular). Her more personal routines, which switch between giddy ebullience and ironic grimness with lightning-quick speed, usually make up for any tiresome lulls.
Another strong point of Evans' set is that she exhibits a bravery rare at the Fringe, in that she is prepared to poke fun at the British comedy establishment itself. It's a bold move for any UK-based comedian to declare they have no interest in appearing on a panel show, and hearing jokes about the omnipresent Jimmy Carr that are usually only told by dissatisfied TV wannabes is both unexpected and satisfying.