Review: Boulder

Boulder variation on Sisyphus myth proves truly purgatorial

theatre review (edinburgh) | Read in About 2 minutes
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Published 08 Aug 2019

The stage is amply set for a diverting hand-crafted fable – with sculptural wooden orbs, twisting steel trees and stretched linen screens for animated projections. Quite an impressive array of props – plus a guitarist and cellist getting ready to score the story. But then a skeletal puppet of an old man appears and, very much like the boulder of the title, it all goes swiftly downhill.

This show by Half A String is a woefully misguided spin on the Greek myth of Sisyphus (the tragedy of a deceitful king sentenced by the gods to roll a rock up a hill for eternity). All manner of stagecraft is employed to tell this silent saga of the mysterious old man and his infernal boulder – and then to retell it and retell it and retell it. And retell it. And. Retell. It.

Stripped of any wider context (apart from the oblique lyrics of Avi Simmons’ accompanying folk music) it feels more like a bad Wile E Coyote cartoon than an echo of ancient wisdom. Much as Albert Camus concluded, the critical though uncomfortable message to be teased out from the story may just be to end it all. If that seems extreme, let’s just say that for all involved, from the welders to the puppeteers to the put-upon hero of the piece, this is a way too literal waste of time.