Orlando

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Theatre
Have you ever yearned to leave behind those definitions handed down to you: loud or quiet, male or female, straight, gay, working/middle/upper class? Lucy Roslyn's play is about a person looking to escape the identitarian bullshit of 2019 – just as Virginia Woolf imagined her own freedom in the pages of Orlando, a novel which strains at the borders of identity: are we any one thing? Or are our selves 'stacked like dinner plates' one on top of the other? Directed by JMK Award winner Josh Roche and following a sell-out run at VAULT Festival 2019.

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